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Ahmet ran Atlantic like a dysfunctional family. Then again, every day gave me compelling reasons to get out. He had everything I wanted, but unlike my childhood, I wasn’t on the outside looking in. Here was a man who gave Eric Clapton advice and wrote Henry Kissinger letters. How could it not? My mother could barely afford to buy me Christmas presents, and here was a man whose chauffeur drove him in his Mercedes to the company jet. His life was the exact opposite of mine, and I got paid to live some of the wildest parts with him. I guess I wasn’t normal, because I loved it. Courtesy of Dorothy Carvelloįor a normal twenty-five-year-old girl, cleaning puke off an old, drug-addled lecher might have been a deal breaker. (One Atlantic vice president had a house account there, and after sales meetings executives would order sex toys, pornography, and lube, which the Boutique delivered.)Ĭarvello with former Atlantic Records colleague Jason Flom at a 1988 Grammy Awards party. It looked like the Pink Pussycat Boutique, a sex shop in New York’s Greenwich Village. Another promotion executive decorated his office with dildos, S&M harnesses and ball gags, masks, lube, and a cat o’ nine tails whip.
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Once I walked in on two promotion executives watching a Japanese porn movie while one of Atlantic’s biggest stars sat with them eating Chinese food. This behavior created a culture of toxic masculinity. Is it any wonder these guys were sexual animals in the workplace? Watching porn all day got them hyped up and ready to go. They also walked around with pornographic magazines hidden in manila envelopes, and they’d read them during meetings. I learned to be careful entering any office, because some executives watched pornography behind closed doors. 'Anything For A Hit' Author Dorothy Carvello on #MeToo and Music: 'Men Are Not the Enemy' These words were hilarious coming from Ahmet’s Turkish mouth. There was a term for sex that we all used - “slapping it,” or “slappage” for short. Discussing sex and having sex took up a large part of the day, and there was always time for pleasure on Ahmet’s watch. If personnel had actually enforced the rules, everyone in the building would have been fired by lunch.Įverything was about sex at Atlantic. I was plunged headfirst into what I can only describe as a circus mixed with an orgy. He signed them, mid-blow job, without a word. I walked to him calmly and handed him the papers. How badly do I want to roll with Ahmet? What would I do to enter his world? I knew if I went along with this, there was no turning back. It said, “Are you in?” I held his gaze, feeling the pressure. He saw the papers in my hand and gave me a look I would come to know well. When I arrived, I found Ahmet in the control room, pants and underwear down to the floor, getting a blow job.įrom left: Jon Bon Jovi, Carvello and Sebastian Bach in Dallas in 1989. He was producing an album for a commercial jingle singer turned Atlantic recording artist named Rachele Cappelli, who wasn’t in the studio that night. It was after hours, and he had already left the office, but I tracked him down at the Atlantic recording studio on Sixtieth Street and Broadway. That week, I got my first big task: find Ahmet and get his signature on some financial papers. Nothing about life up to that point had been fun. I knew the nuns wouldn’t have approved of anything that went on at Atlantic, and yet, I didn’t care. My sense of morality had been shaped by the nuns who had taught me at school. Their attempts to degrade me were cartoonish - pinching my ass, bragging about their dicks, telling me to blow them. Most of the men were too stupid to deliver that message with anything approaching finesse.
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You can see the video in Mick Jagger’s tweet below.Ertegun (second from right) with Rolling Stone founder Jann Wenner, Tina Turner and producer Phil Spector (second, third and fourth from left) at the 1989 Rock & Roll Hall of Fame induction ceremony in New York. The band is celebrating his life instead of mourning his death, and they believe this is a good way to commemorate the late legendary drummer. While it is a difficult time for the band, Watt’s family, and his fans, the band decided to continue their US tour because Charlie would have wanted them to do so. I’m sure Mick will give Charlie an onstage tribute at each show.” “They’ve been doing those intros for 50+ years. “I understand that you will continue with the USA tour, but please stop the band introduction before Keith go on vocals. One fan noted that they shouldn’t introduce the band because it wouldn’t be right as Watts isn’t there. The fans posted numerous emotional words underneath the video, but some of them stated their disagreement with the band’s decision to continue their US tour.